The Work + The Object — Marcela Cure
One of our new initiatives for 2026 is to present our makers in their own words. We feel as though there’s nothing more authentic than a creator sharing their inner thoughts about what they made. Specifically for February, we’re happy to present Marcela Cure’s personal blog about her stunning piece, Septem. We hope that you find the same value in Marcela’s words as we did. Please enjoy!
The Work + The Object — Marcela Cure
I work slowly and intentionally. My practice begins with form — with the body and with intuition. Every object starts as a handmade sculpture or prototype, shaped by hand before moving into production. I am interested in how the human figure carries memory through curve, tension, and balance, and how those gestures translate into objects designed to live quietly within a space.
All materials are sourced locally. Resin, stone powders, woods, and mineral elements are chosen not only for their physical qualities, but for their connection to place. Where I live, light is strong and constant, and objects must feel grounded and resilient. This environment naturally informs my approach to materiality and scale.
Septem reflects this sensibility. Its form is sculptural yet restrained, built around rhythm and repetition. The name references the number seven, often associated with balance and continuity. The piece is conceived as a moment of pause rather than a statement — an object that anchors a space without demanding attention.
While the technical process varies from piece to piece, each object is shaped with care. Some evolve directly from the original handmade prototype; others are hand-cast and refined over time. All are finished by hand. Subtle variations are part of the work, serving as evidence of process rather than imperfection.
When someone lives with my work, I hope it creates a sense of calm presence. These are objects meant to be experienced slowly — through changing light, proximity, and time. Septem works best when given room to breathe, placed where its form can be viewed from multiple angles, in soft natural or warm ambient light.
My work is not about filling a room. It is about holding space — and about objects that grow more meaningful the longer they are lived with.
