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Handbuilt Raku Ceramic Vase

Sale price$930

This Raku vase is created in a warm brown clay. The shape is rounded and low... like a river stone worn over time. Built without a mold or a wheel, this organic and slightly irregular form follows shapes found in nature and every curve carries the maker's hand. Raku-fired, this vessel comes out of the kiln while it's still glowing hot and goes straight into the flame and smoke... creating a result that cannot be replicated. The vase carries a deep earthy brown that turns to charcoal with a metallic sheen whenever the fire touches the surface. Fine lines of gold run across the body and catch the light. Made from stoneware, brown finish (mostly matte with some metallic accents throughout) and gold detailing. Not watertight. Made entirely by hand in Los Angeles.

Dimensions: 5.5" (h) x 8.5" diameter

Handbuilt Raku Ceramic Vase
Handbuilt Raku Ceramic Vase Sale price$930

Country of Origin

United States

Raku Horse Hair Ceramic Vessel by Anna Shipulina — handcrafted piece
About the Maker

Anna Shipulina

As a ceramic artist deeply immersed in the craft, I find immense joy in the meditative process of hand-building, which involves creating ceramic objects without the use of a pottery wheel. Instead, I rely on my hands, fingers, and a few simple tools.
This method establishes a more direct and tactile connection between the artist and the clay. I'm drawn to the imperfect and natural aesthetics of ceramic vases and sculptures, achievable through hand-building.
Captivated by the raw elegance, tactile texture, and muted color palette of bare clay, I strive to preserve these qualities by keeping a significant portion of my ceramics unglazed. My aim is to invite the viewer to engage in a sensory experience by physically interacting with the clay's surface in order to understand the essence of each piece.
My work holds a touch of my hand, reflected in its imperfect shape and the occasional fingerprints left on the clay body. It’s important to me that the audience feels the human hands that crafted the object.
I am in pursuit of creating work that is both aesthetic and natural-looking; I found traditional hand-building techniques to be the most suitable. This gives room for imperfection and improvisation. While shaping the clay with my hands, I follow the clay’s lead. The result is forms which are both organic and unpredictable forms giving each piece its own personality.
— Anna Shipulina