Studio S II: Master of Glass
Meet the Maker: Studio S II, Master of Glass
Some artists build a career on technique. Others on myth. Studio S II builds on light. Every piece this studio makes—whether a vessel, sculptural object, or functional catchall—begins with a quiet observation: how light enters a form, how it slows over texture, how it softens a room. It is this sensitivity that has earned the Studio S II artist a devoted following among collectors drawn to objects that feel both modern and deeply human. While many search for Studio S II pottery, what they often discover is glasswork shaped by a potter’s eye—architectural, tactile, and unmistakably handmade.
At Trove Gallery, we’re proud to feature the Studio S II collection, a small-batch, artisan-made body of work that rewards daily living. The studio’s language is one of restraint: purposeful silhouettes, disciplined geometry, and an intimacy with material that allows each form to carry its own atmosphere. Whether you’re new to the studio’s work or already collecting, this maker feature invites you to look a little longer, to let the glass do what it does best—hold light while telling a story.
Studio S II’s objects are designed for people who value craftsmanship without pretense, luxury without flash. The work sits comfortably across styles: a piece might read as minimalist on a clean console, sculpture-forward on a pedestal, or quietly lush beside linen and oak. Browse the full Studio S II collection to see how the studio’s evolving vocabulary—ribs, planes, cores, and voids—translates into forms that feel timeless the moment you bring them home.
For those wondering where to buy Studio S II pieces made with a collector’s rigor and a maker’s heart, Trove Gallery is the answer. Our curation prioritizes provenance, process, and a close relationship to the artist, so the work you welcome into your space carries its story with integrity from furnace to foyer.
The Bodice Vase: A Sculpture for Flowers
At first glance, the Bodice Vase reads like a drawing made solid—the gesture of a line, the curve of a seam, the suggestion of the human form distilled into glass. Look longer and its architectural discipline comes forward: the controlled tapering, the measured ribs, the way mass and light negotiate across a satin surface. It is a study in opposites—romance and rigor—held in perfect tension.
Handblown in small runs by Studio S II, the Bodice Vase is an artisan object meant to be used, not simply admired. The silhouette—structured yet sensuous—references couture tailoring and the geometry of corsetry, rendered in glass that softens every edge. The ribs are not mere decoration; they act like living lines, guiding the eye, catching daylight, and releasing it in a way that adds dimensionality to a room. Place the vase in morning sun, and you’ll see why collectors call Studio S II a master of glass: the piece seems to glow from within, as if the form itself were a vessel for light.
Functionally, the Bodice Vase holds stems with intention. Its inward curve offers natural support for bouquets, making even sparse compositions read as deliberate. A single branch of quince, a handful of peonies, or a minimal edit of tulips—all benefit from the vase’s sculptural framework. When empty, it stands as a compelling sculpture. When filled, it becomes an extension of the arrangement, lending structure and grace without overpowering the botanicals.
Collectors appreciate the tactile finish—a satin-etched surface that invites touch and softens reflection, allowing color to register as a quiet haze rather than a hard gloss. Variations are inherent to the handblown process, which means no two pieces are identical. Subtle differences in rib spacing, the thickness of the lip, or the angle of the shoulder become signatures of the maker’s hand.
Price: $798.00. Consider the value beyond the number: a handblown vessel of this scale and sensitivity, executed with Studio S II’s level of control, becomes a lifetime object. It’s a centerpiece on a dining table, a solitary sculpture on a console, a luminous anchor on built-in shelves. For lovers of Studio S II pottery, the Bodice Vase offers a glass analogue to ceramic discipline—quiet, sculptural, and deeply attuned to form.
For those building an intentional home, the Bodice Vase pairs elegantly with tactile stone, linen, and woods. Its presence is especially strong near natural light where the ribs do their quiet work. Bring one home from Trove Gallery today: Bodice Vase by Studio S II.
The Brutalist Catchall: Tactility, Order, and Everyday Ritual
Not every masterpiece has to be monumental. The Brutalist Catchall proves that a small object can exert serious gravitational pull. Where the Bodice Vase whispers in curves, the catchall speaks in planes—angular, rhythmic, and precisely weighted. The piece nods to the language of Brutalist architecture: honest structure, unapologetic texture, and a clarity of intent that turns utility into sculpture.
Handcrafted by Studio S II, the catchall’s surface reveals the process—subtle tool marks, a nuanced play of matte and sheen, and a tactile grain that slows light. The rim is deliberate, the interior precise. Use it by an entry to hold keys, as a jewelry landing on a nightstand, or as a quiet sculpture on a shelf. It’s the kind of object that makes daily life feel edited and composed, transforming small rituals into small pleasures.
What makes this piece sing is proportion. The catchall’s footprint feels generous without overweighting a surface. Its shallow depth reads as a modern tray, while the planar sides cast small shadows that shift throughout the day. The result is a dynamic object that changes with the light—proof again of Studio S II’s command of glass and the atmospheres it creates.
Price: $263.00. At this entry point, the Brutalist Catchall is an ideal way to begin your Studio S II collection—or to expand it with a functional piece that lives in the open. For those searching to buy Studio S II with a focus on usability, this catchall hits that sweet spot where form meets function, and both quietly elevate the everyday.
Layer it with organic ceramics or alongside a stack of art books to introduce texture and geometry. If your eye is drawn to Studio S II pottery, you’ll recognize a similar structural clarity in this design: a potter’s sense of volume rendered in mineral-bright glass. Shop the piece through Trove Gallery: Brutalist Catchall by Studio S II.
Styling & Collecting: Building a Studio S II Collection at Home
Studio S II pieces reward thoughtful placement. The work is designed to hold space rather than shout for attention. Here are a few ways to style and collect with intention:
- Pair opposites. The Bodice Vase’s curvilinear language pairs beautifully with the Brutalist Catchall’s planes. Place the vase on a pedestal to read as sculpture and keep the catchall on a nearby console, creating a subtle conversation between silhouette and structure.
- Invite daylight. Glass thrives near windows, but avoid direct, hot sun for extended periods. Let morning light graze the ribs of the Bodice Vase; let afternoon sun carve shadows along the catchall’s edges.
- Layer textures. Studio S II’s satin finishes love contrast. Think quiet surfaces: oiled oak, travertine, honed marble, raw linen. A ribbed vase on a stone slab becomes an instant vignette; a planar catchall on dark wood draws the eye without dominating the space.
- Edit your palette. The studio’s forms are strong enough to read as neutrals. Keep compositional color restrained so the vessels act as light-holders rather than color blocks.
- Think in threes. A classic styling rule holds: three objects, varied in height and density, create a balanced vignette. Try the Bodice Vase with a low ceramic bowl and a slim candle; set the Brutalist Catchall near a stack of books and a small stone sculpture.
For collectors building breadth within a single maker’s practice, look at how Studio S II scales its ideas. Ribs, folds, and planes recur with variations, creating a cohesive narrative across forms. Over time, you’ll recognize the studio’s voice the way you recognize a favorite composer or architect: an unmistakable cadence. Explore current releases and small-batch drops in the Studio S II collection, and check back for new work that extends the vocabulary.
If you’re coming from a ceramic background—searching for Studio S II pottery or familiar with vessel-forward sculpture—you’ll find resonance here. Though these pieces are glass, they carry a potter’s sensitivity to volume, foot, shoulder, and lip. That crossover is what makes the work so livable: it reads as sculpture while functioning beautifully in a home that values tactility and calm.
Process & Materials: From Furnace to Form
To understand why Studio S II’s work feels so considered, we look to process. In glass, time is measured in seconds and hours simultaneously: the heat of the furnace demands swift, practiced gestures; the annealing cycle requires patience and trust. The studio moves between these tempos with fluency.
For a handblown form like the Bodice Vase, the process begins with a gather—a molten sphere drawn from the furnace and coaxed on a marver to align the glass. From there, the artist breathes life into the form, shaping with jacks, paddles, and a practiced rotation that looks effortless only after years of repetition. Ribs are introduced not as surface appliqué but as structure—lines that give the glass a way to swell, pause, and resolve. Each pass through the heat, each breath and counter-breath, builds the vase’s body. The piece is then transferred for finishing, its lip refined, its profile tuned by eye and hand. A satin etch or cold-worked matte finish completes the object, granting it the soft glow that collectors love.
The Brutalist Catchall follows a different path—more about architectural precision than expansion. Whether formed in a carefully prepared mold or shaped through controlled tooling, the emphasis is on plane, line, and edge. The maker manages temperature to avoid cold seams and to preserve the crisp geometry that gives the object its character. After annealing, the surface may be ground, honed, or selectively polished to achieve its signature tactile contrast. It’s a process that lays its logic bare: you can read the making in the object.
This devotion to material is why the Studio S II artist is sought after by designers and private collectors alike. There is an ethic at work here—a belief that the object should tell you how it wants to be handled, where it wants to live, how it wants to age. It’s a mindset familiar to ceramicists, which is why the studio’s glass often resonates with those drawn to pottery. The result is work that holds its power over time, gathering meaning as it moves through your days.
We often hear a simple question: Why glass? Because glass is a paradox. It is seemingly fragile yet structurally clear about its limits; it reflects and reveals; it records the body’s gestures in a way few materials can. Studio S II knows how to capture those gestures—how to translate breath and motion into a measured, livable form. That is mastery.
Caring for Your Pieces & How to Buy Studio S II at Trove
An object this considered deserves care that matches its intention. A few simple practices will keep your Studio S II pieces luminous for years.
- Cleaning: Rinse vessels with lukewarm water and a drop of mild soap. For the Bodice Vase, a soft bottle brush helps. Avoid abrasive pads and harsh chemicals. Dry with a lint-free cloth to preserve the satin finish.
- Temperature: Avoid sudden temperature swings. Do not pour boiling or near-boiling water into a cool vessel. Let pieces acclimate naturally.
- Placement: Display away from edges and high-traffic zones. For the catchall, a felt pad beneath the piece protects fine wood surfaces.
- Flowers & water: If using the Bodice Vase for botanicals, change water frequently and avoid cutting stems in the vessel. Rinse and dry after use to prevent mineral buildup.
Now, where to buy Studio S II with confidence? Trove Gallery is your destination for the studio’s limited releases and core offerings. Every piece we carry is selected for integrity of form and finish, and for the quiet sense of luxury that makes Studio S II so beloved. We work directly with the studio to bring you small-batch drops and keep you informed about new forms entering the Studio S II collection.
Ready to collect? Start with these two signature works:
- Bodice Vase — $798.00: A handblown, ribbed sculpture that holds flowers like a tailored garment holds shape. Shop now: Bodice Vase.
- Brutalist Catchall — $263.00: A tactile, architectural tray that elevates daily rituals. Shop now: Brutalist Catchall.
Prefer to browse by maker? Explore the full Studio S II collection and discover new releases as they arrive. Whether you’re searching for Studio S II pottery-inspired forms in glass, seeking a particular Studio S II artist piece, or simply looking to buy Studio S II with a trusted gallery partner, Trove is here to help you build a collection that feels personal, grounded, and enduring.
Bring home the work of a master of glass. Let the pieces set the tone. Let them teach you how light can be an instrument of calm. And let them become part of your everyday—a quiet luxury that never needs to speak loudly to be heard.
